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There’s less than a week left to take advantage of the discount offer from my publisher for ebook versions of my novel Dead Air. It’s a rich mystery thriller about the radio business (which I’ve inhabited all my life).

What would you do if you learned that someone wanted you dead, and was taking action to make it happen? That’s what radio morning man Lee Garrett faces in Dead Air, and you can read about his trials for just $3.99 if you buy an ebook version of Dead Air before the end of June.

Read the first chapter here and follow the links to buy your copy.



Predicting the future with any accuracy is hard. Predicting the future of the written word…I hardly want to venture a guess. Maybe that’s because it’s too close to my heart.

I attended a conference of the Canadian Authors Association this past weekend. It was richly enjoyable and inspiring, as always. You’d expect writers to attend conferences to learn how to perfect our craft, and that’s certainly true. Yet these days there are just as many presentations about how to get published, how to get an agent, and how to market our books. In other words, the business side of writing. We’re writers—business stuff isn’t our strong suit. But if our writing can’t support us financially, we have to find other employment and either give up writing entirely, or only bring out a new book every five or ten years while we earn a living some other way. Combine a full-time job plus all of the business aspects of writing these days, and we’re lucky to get a book out to an audience of readers at all.

The advent of ebooks has turned the publishing industry on its ear, and it’s also messing up the money thing. An ebook doesn’t require cutting down trees, slapping on ink and glue, and trucking the end result to the corners of the continent, so obviously an ebook shouldn’t cost anything close to the price of a printed one. Right? Well, those thousands of words take just as many months or years to cobble together whether they get to the reader in the form of symbols on a page or pixels on a screen. The same goes for any editorial work required, cover art, or marketing to let potential fans know the book exists. But the more people get used to paying $2.99 for an ebook, the less money will enter the system to pay for all of those things. At the same time, publishers are becoming less and less willing to risk their money on any but their stable of bestselling authors, a state of affairs that unavoidably takes its toll on variety and originality.

Whether you read from a page or a screen, there are some truths about the written word that seem self-evident to me:

  • When writers can turn their full attention to writing they can produce better books and more of them.
  • The more writing a writer does, the better they get.
  • The way to get more of the books we most enjoy is to enable writers to devote more of their time to what they do best.

What can you do as a reader? Be willing to pay a reasonable price for something that brings you hours of enjoyment, and maybe even some real insight that can last you a lifetime. Rely on your taste for good writing instead of your taste for a bargain. Support the writers you like by buying their books.

I don’t know if, a hundred years from now, we’ll be reading from screens, or holographic letters in the air, or flashes of light on the insides of our eyelids. I do know that if we don’t support the best of our storytellers, the physical format of the stories won’t much matter.



I've been kind of lax in keeping the content of my STORIES page fresh. So this week I took down a couple of stories that had been available for a long time and posted two new ones for you to enjoy.

"Sand From A Broken Hourglass" is about a man who wants to find someone else to blame for his alcoholism, and turns to a radical experimental method for retrieving repressed memories. But the walk down memory lane is a lot more hazardous than he bargained for.

How does a man exist in two realities at once? In "Shakedown" a prototype nanomachine is being developed to perform medical miracles within living bloodstreams using a Virtual Reality control system that will demand all the skill its gaming champion pilot can muster. Then the government comes calling with an urgent mission far into untested territory, and this "Shakedown" will be anything but smooth.

ALSO remember that through the month of June the e-book of my radio industry mystery/thriller novel Dead Air has been reduced from $7.99 to just $3.99, available from Kobo, Amazon, the iTunes Book Store, and Barnes & Noble. Read the first chapter here.



I’ve been amused this week to read the news that a computer program passed the famous “Turing Test” for artificial intelligence. The program presents itself as a 13-year-old boy living in Ukraine named Eugene Goostman, and it was able to carry on text conversations well enough to convince one-third of a panel of judges that they were chatting with a human being. It happened during a regular Turing Test event being hosted by the University of Reading in the UK on the 60th anniversary of the death of mathematician Alan Turing, who devised the test as a way of measuring artificial intelligence: if a computer is mistaken for a human more than 30% of the time during a series of five minute keyboard conversations, it passes the test. This is being touted as the first successful test, although NewScientist magazine points out that others have succeeded too, depending on the criteria used for the judging.

Detractors claim the fact that “Eugene” is presented as a 13-year-old boy with limited English-language skills coloured the expectations of the judges enough to render the test results less meaningful than they might otherwise be. Have you heard thirteen-year-olds talk lately? The fact the judges could understand Eugene’s answers at all should have been a tip-off that they weren’t speaking to a real teenager. Did he pause in the conversation to answer a few texts on his phone? Did he drop f-bombs, use spelling that looked like alphabet soup given a stir, or rely on the word “like” every other sentence? Were there any mistakes obviously caused by autocorrect? Dead giveaways, all of those. (Actually, Eugene does text like that on Twitter.)

Personally, I think the limitations of the test itself make it of little value. Certainly it shows that superfast processors fed with enough data about likely questions, colloquial language, general knowledge and other parameters can simulate a humanlike dialogue. It says nothing about self-awareness, self-motivation, creative problem-solving, psychological empathy, or many other things that we would expect of an intelligent being. So we’re still a long way from the Skynet days of the Terminator movies, or even HAL from 2001:A Space Odyssey.

If you spend much time on Facebook, or even watching reality TV, you’ll know that speaking like the average human being isn’t exactly a shining display of intelligence anyway—quite the opposite.

There are efforts to create a more universal artificial intelligence test, involving more visual cues, among other things. I expect that within another few generations of computing progress, that test will also be found wanting. The truth is, we’ll probably never know when the first truly intelligent, sentient, artificial mind is created.

Because it’ll know that the smartest thing it can do is to keep that little secret to itself.



My publisher has agreed to let me offer a special discount on the e-versions of my radio mystery/thriller novel Dead Air. For the month of June it’s just $3.99. I know there are a lot of people who are hooked on their e-readers and have thought about picking up Dead Air. There’s no more reason to wait.

Get an insider’s look into the world of morning radio and suspense that will keep you reading way past bedtime. As one reader put it: “Finished Dead Air last night just in time to exhale the breath I had been holding and draw in another before I passed out. Quite a thriller.”

Read the first chapter here.

Available in e-format from Kobo books, the iTunes Book store, Amazon, and Barnes & Noble.